Author: Lincoln Kaye

From the time you first meet them, cavorting together on a royal-sized bed, the thing you notice about Derrick Lee Weeden’s Marc Antony and Miriam Laube’s Cleopatra is their physical disparity. He’s enormous —...

In this, our Age of the Selfie, why shouldn’t the drama be as solipsistic as any other cultural artifact? Hence the proliferation, nowadays, of plays about players and playwrights. The Oregon Shakespeare Festival (OSF),...

In the five years since he’s moved to Ashland, director Christopher Liam Moore has distinguished himself bringing American modernist theater to the Oregon Shakespeare Festival (OSF). He’s made full use of the Bowmer Theater,...

From Shaw’s “Pygmalion” to “Fifty Shades of Grey,” we, as audiences, love to see confirmed bachelors or bachelorettes inveigled into marriage. The more louche or outré the singleton the better. It somehow ratifies the...